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A few recent work related things: ABC, Sound Of The City, Stereogum, Spin

I’ve gotten really bad (for whom, for what?) at posting recent work and clips and stuff, so I’m going to try to do this on a weekly basis. So, this week. I subbed for ABC’s Dan Harris over at his weekly online indie rock interview show, Amplified.

I’ve gotten really bad (for whom, for what?) at posting recent work and clips and stuff, so I’m going to try to do this on a weekly basis. So, this week.

I subbed for ABC’s Dan Harris over at his weekly online indie rock interview show, Amplified. I got to watch a great, rooftop performance by the Noisettes, and talked to them a little bit about how their lives have changed since “Don’t Upset The Rhythm” went to #2 in the UK:

I wrote a new Progress Report on the Go! Team for Stereogum. My favorite quote was right at the end:

Even though it’s album three and the tradition is to mature and all that bullshit I have no desire to clean up the sound.

Spin just ran my review of Sian Alice Group’s Troubled, Shaken, Etc. Such a good record. I called Sian Ahern “a singer with Nico’s presence and complexion.” Just look at her (photo from Ahmed Klink):

And this was last week, but I’m still very proud and thankful to have a chance to talk to These Are Powers about touring China. Before they left they had to record a “performance” for the cultural officials in Shanghai:

We actually had to record it in our practice space, and we pretended like it was a show, so we all clapped and said, “Thank you!” at the end of it. It was really silly. It was by far the most awkward I’ve ever felt playing a set of any music that I’ve been a part of. We’re like, “Hey, Chinese government! Here we are performing for you on video!” I guess it worked.


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Recent stuff: ABC, Stereogum, Spin, Pitchfork, Sound of the City

ABC World News Webcast: Loney Dears’s Dear John Pains Of Being Pure At Heart S/T Progress Reports on Stereogum: Nick Thorburn (Islands, Human Highway) The Wrens (in Q & A form, because they’re hilarious) Grizzly Bear Spin Magazine reviews (I think this is the same print issue

ABC World News Webcast:
Loney Dears’s Dear John
Pains Of Being Pure At Heart S/T

Progress Reports on Stereogum:
Nick Thorburn
(Islands, Human Highway)
The Wrens (in Q & A form, because they’re hilarious)
Grizzly Bear


Spin
Magazine reviews (I think this is the same print issue as the last batch, but I think Spin staggers print reviews when they put them online):

Beirut / Realpeople March of the Zapotec / Holland

Black Gold Rush
Asobi Seksu Hush
Vetiver Tight Knit

Pitchfork reviews:
Deerhoof Live EP

Benjy Ferree Come Back To The Five And Dime, Bobby Dee Bobby Dee

Sound Of The City:
Listening to Sufjan’s “The Lonely Man of Winter” in Crown Heights

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Recent stuff: Pitchfork.tv, Stereogum, Paste, Spin, Sound Of The City

I interviewed Okkervil River for Pitchfork.tv: Part 1 and Part 2. I reviewed Beyonce’s I Am Sasha Fierce for Paste. New Project Reports are up on Stereogum for Röyksopp and Phoenix. I also reviewed Matt and Kim’s Grand, A.C. Newman’s Get Guilty and Andrew

Recent stuff: Pitchfork.tv, Stereogum, Paste, Spin, Sound Of The City

mattandkim
I interviewed Okkervil River for Pitchfork.tv: Part 1 and Part 2.

I reviewed Beyonce’s I Am Sasha Fierce for Paste.

New Project Reports are up on Stereogum for Röyksopp and Phoenix.

I also reviewed Matt and Kim’s Grand, A.C. Newman’s Get Guilty and Andrew Bird’s Noble Beast for Spin.

I wrote about a “conversation” between LCD Soundsytem’s James Murphy and novelist Sam Lipsyte for Sound Of The City.

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Profile of Welcome Wagon in the Village Voice

I wrote a Band On The Street on Welcome Wagon for the Village Voice. They are the nicest band in the world, probably because they didn’t start out as a band, but as a married couple. I’m working on a review of another couple band. I am sorta

Profile of Welcome Wagon in the Village Voice

I wrote a Band On The Street on Welcome Wagon for the Village Voice. They are the nicest band in the world, probably because they didn’t start out as a band, but as a married couple. I’m working on a review of another couple band. I am sorta grossed out about how cute every couple band is.

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Recent stuff (Stereogum, Pitchfork, Sound Of The City)

My new “Progress Report” column on Stereogum started last week. So far there’s Midlake and Andrew Bird, but there will be so, so many more. I saw Drew Daniel read from his new 33 1/3 book and dance with a golden pillow penis between his legs at Housing

Recent stuff (Stereogum, Pitchfork, Sound Of The City)

My new “Progress Report” column on Stereogum started last week. So far there’s Midlake and Andrew Bird, but there will be so, so many more.

I saw Drew Daniel read from his new 33 1/3 book and dance with a golden pillow penis between his legs at Housing Works. I was amazed. Then I wrote about it for Sound Of The City.

I also reviewed Danielson’s Trying Hartz and Nissenenmondai’s Neji/Tori for Pitchfork.

Then I reviewed Desolation Wilderness’ White Light Strobing for eMusic. That album’s really great, I hope it gets more attention.

Then I learned the choreography for about five seconds of “Single Ladies.”

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I am testing that dream.

Seeing Weezer for me is probably like seeing My Bloody Valentine for a lot of other people–or maybe not. Maybe it’s really like seeing Liz Phair, where you know there’s something great there that got sorta misplaced or deferred or scared out of the person, or maybe

I am testing that dream.

Seeing Weezer for me is probably like seeing My Bloody Valentine for a lot of other people–or maybe not. Maybe it’s really like seeing Liz Phair, where you know there’s something great there that got sorta misplaced or deferred or scared out of the person, or maybe that something great was the flash so there’s nothing really to return to because that was the detour. I talked about the Weezer show last night here, but one other thing I wanted to mention about “El Scorcho” was that Rivers Cuomo did sing the first few lines, but with his hands over his face, half covered, half shielding his eyes so he could gaze at the audience. I don’t know what this means.

Meanwhile, I’m working on some other freelance stuff, thanks to this:

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But it is not free of any cost or obligation.