I saw Man Man At The Spiegeltent

17 Sep 2006 — 2 min read

Tenth Man Man show in about a year. They keep getting better. Really. The show was supposed to start around midnight, but actually started sometime after, because the Spiegeltent had hosted one of their burlesque shows just before. Cover was $15, and there was no opening bands, but the line still stretched down the length of the Southstreet Seaport pier.

Inside people were packed, I saw My Brightest Diamond there with about 50 other people; Saturday night there must have been 200 inside the circular tent. It’s a running joke with me, how many times can I possibly see Man Man before I’m bored. But each set is different; each song gets tighter and looser at the same time. Plus, noticing these things take time, and about ten shows.

Man Man played more new songs than I’ve heard at previous shows. And though I couldn’t name any of them, they sounded a little different from the songs off Six Demon Bag they seemed less grounded in Honus’ Rhodes and more in squiggly electronic flourishes.

Man Man ended the show with “Ice Dogs,” as usual. Not as usual, the audience kept singing the song’s fade-into-forever ending, clapping and repeating, “This heart won’t die / and this ship won’t die” until they began speeding it up as per some anonymous directive from the center of the crowd. Man Man came back out to play “Van Helsing Boombox,” my favorite Man Man song, but Honus’ least favorite.
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I've been watching a lot of Battlestar Galactica. And soon...

I'v been watching a lot of Battlestar Galactica. And soon after I started watching I started thinking I really like the dude who plays Felix Gaeta. Then I started thinking. It would be awesome to meet him. Later: â€œI bet I could meet him at like, some

I'v been watching a lot of Battlestar Galactica. And soon after I started watching I started thinking I really like the dude who plays Felix Gaeta. Then I started thinking. It would be awesome to meet him. Later: â€œI bet I could meet him at like, some sort of event. Next thing I know I'm looking up sci-fi conventions featuring Galactica panels and photo sessions. So that's how it starts, I guess, and it ends with me posing with a pissed off Alessandro Juliani in front of a speckled blue backdrop.

28 Aug 2014

Paid Members Public

Selected Entries From My Pitchfork Half-Decade Ballot

Albums 5. Wild Beasts: Present Tense 6. EMA: Past Life Martyred Saints 8. WU LYF: Go Tell Fire to the Mountain 12. Ciara: Ciara 16. Swans: The Seer 19. Sharon Van Etten: Tramp 25. Pusha T: My Name Is My Name 26. Marnie Stern: Marnie Stern 33. Childish Gambino: Camp

Albums

5. Wild Beasts: Present Tense
6. EMA: Past Life Martyred Saints
8. WU LYF: Go Tell Fire to the Mountain
12. Ciara: Ciara
16. Swans: The Seer
19. Sharon Van Etten: Tramp
25. Pusha T: My Name Is My Name
26. Marnie Stern: Marnie Stern
33. Childish Gambino: Camp
37. Maria Minerva: Will Happiness Find Me?
43. Schoolboy Q: Habits & Contradictions

Tracks

1. Beyoncé: “Halo”
17. Beyoncé: “Countdown”
32. Beyoncé: “Drunk in Love”
38. Beyoncé: “Blow”
43. Man Man: “Head On”

I wrote about “Ride” and “212” for Pitchfork’s tracks list.

17 Feb 2014

Paid Members Public

New pieces: rollingstone.com and Pitchfork

I’m writing again! I had a bit of a break because I was employed by publications that didn’t want me doing music writing for other places, which was a bummer. But that’s a common part of full-time staff life. Anyway, I wrote my first little bits for

I’m writing again! I had a bit of a break because I was employed by publications that didn’t want me doing music writing for other places, which was a bummer. But that’s a common part of full-time staff life. Anyway, I wrote my first little bits for rollingstone.com and a new review for Pitchfork — my first review for them in four years. Links over on my clips page.